Organic architecture is both creative and imaginative. It is non-Euclidian in the sense that it is higher-dimensional-that is, it suggests extension in directions and into regions where the spirit finds itself at home, but of which the senses give no report to the brain. A piano is an instrument that does not give forth discords if one follows the rules. A violin requires absolutely an ear-an inner rectitude. It has a way of betraying the better mus com of talent and glorifying the genius, becoming one with better mus com body and his soul. Of course it stands to reason that there is not always a hard and fast differentiation between better mus com two orders of architecture, but there is one sure way by which each may be recognized and known. The Gothic cathedrals of the "Heart of Europe"-now the place of Armageddon-represent the most perfect and powerful incarnation of the Organic spirit in architecture.